Animation and Film


Michaela Režová won two prizes in the CEE Animation Forum 2021

Created: 13. 5. 2021

ARTSEMESTR Winter 2019

Created: 20. 2. 2020
ARTSEMESTR Summer 2019 

ARTSEMESTR Summer 2019

Created: 9. 10. 2019

ARTSEMESTR Winter 2019

Created: 13. 2. 2019

ARTSEMESTR Summer 2018

Event: 7. 6. 2018 - 10. 6. 2018

ARTSEMESTR Winter 2018

Event: 25. 1. 2018 - 30. 1. 2018

Poněšice 2013

Created: 24. 11. 2014
Artsemestr 2013 

Young Package

Created: 24. 11. 2014

AAAD's Studio of Film and TV Graphic prides itself on its long tradition, established primarily during the leadership of Adolf Hoffmeister and, later, Miloslav Jágr. As indicated by the name of the studio, the work is focused on animated film, covering, however, everything even remotely related to films (image stories, 3-D objects such as marionettes, movie awards, posters, games, toys, puppet and cartoon theatres, etc.). This "playful" approach to animated films and cartoons fully corresponds with the creative and artistic character of the Academy, compensating, at the same time, the need to work with utmost care, precision and patience. This concept also makes the studio different from the Department of Animated Films of the Film and TV School of Academy of Performing Arts in Prague (FAMU), where students are more systematically prepared for a career in the animated film industry. Nevertheless, our students are definitely not to be seen as animation artists only, waiting helplessly for the help of more experienced FAMU graduates. 

The new competitive conditions prevailing in the privatized film industry require well-prepared artists benefitting from a good knowledge of all production stages of classical and modern audiovisual works. Therefore, the study includes not only courses fostering creativity and imagination but also practical lessons where students learn to ‘transfer' their creative visions to the screen. In particular, special focus has been given to the basics of cartoon and marionette animation of late.

In addition, there are other courses and areas closely related to the practical implementation of one's ideas - for instance script editing, screenwriting and post-production editing. Here, students learn the secrets of the ‘film language', discovering how to join moving pictures into a single logical whole, essentially turning from animators to filmmakers.
In recent years, Czech animated film has been undergoing profound changes resulting both from new economic conditions and the growing importance of computers and video technology. These are strong pressures influencing the aesthetics and nature of today's animation and opening possibilities which would not be possible few years ago. This new technology introduces into the animated film industry what is often called ‘positive anarchy', destroying the age-old boundaries between live-action and animated films. This involves also substantial changes in the ‘film language', often breaking away from the traditional mantras. In spite of the studio not rejecting these modern methods, we are sincerely convinced that it is necessary first to understand the fundamental traditional rules and technologies used and taught by our forerunners. Therefore, we always try to persuade our students that in embarking on the path of computer animation they should not start in virtual reality outright but rather with a pencil, paintbrush and paper.
In the Czech Republic, animated films have had a long and successful tradition. Therefore, students leaving our studio should be not only skilled and flexible animation artists but also original and headstrong individuals, who will never allow the good name of Czech animated film to disappear under and avalanche of Japanese, American, Chinese and Korean works.

Notable artists connected with the studio include Adolf Hoffmeister, Miloslav Jágr, Jiří Barta, Michaela Pavlátová, Barbora Šalamounová, Barbora Dlouhá and Jan Balej.

Head of the Studio

MgA. Jakub Zich




MgA. Jan Drozda
MgA. Zuzana Bukovinská

Graduated at the Department of Film Camera of the Film and TV School of the Academy of Performing Arts in Prague and worked at the Barrandov Jiří Trnka Studio as camera assistant. Having joined the ranks of the Anifilm Studio, she now works as assistant to Jan Balej at the Studio of Film and TV Graphics of AAAD. Zuzana was involved in the production of several animated bedtime stories for the Czech TV and several feature films, working with Pavel Koutský, Jiří Tyller and others. Today, she takes part in the preparation of the ‘Žížaláci' series, a clay animation bedtime story project directed by Miroslav Gál at the Hafan Film studio.




Nám. J. Palacha 80, 116 93 Praha 1
room No. 402
tel.: +420 251 098 270