Department of Applied Arts

Presentation in London

There Is Only You at International Fashion Showcase

Event: 17. 2. 2017 - 21. 2. 2017
Presentation in Japan

Japan // Calm force at Bunka Fashion Graduate University Fashion Week

Event: 30. 1. 2017 - 3. 2. 2017
Congratulations!

UMPRUM Student Aneta Dvořáková Wins The Young Creations Award at Heimtextil 2017

Created: 20. 1. 2017
Exhibition at Heimtextil

Studio of Textile Design at Heimtextil 2017

Event: 10. 1. 2017 - 13. 1. 2017
Exhibition

BEGINNING – Sebastian Kitzberger

Event: 15. 10. 2016 - 31. 10. 2016
Exhibition at the London Design Festival 2016

EXPERIMENTAL MATERIALS AND TEXTILES

Event: 17. 9. 2016 - 25. 9. 2016
Studio of Textile Design

Triennial of Tapestry in Łódź

Event: 9. 5. 2016 - 30. 10. 2016
Studio of Fashion and Footware Design

Art of Fashion

Event: 30. 4. 2016 - 12. 5. 2016
Presentation

Studio of Ceramics and Porcelain and the Studio of Textile Design in Chungnam National University in Korea

Created: 4. 5. 2016
AAAD at the Salone internazionale del Mobile in Milan

MANIFESTO - Photos of the Exhibition

Event: 12. 4. 2016 - 17. 4. 2016

In 1950, shortly after its acquisition of university status, AAAD established five departments. Our core specializations had previously been divided between two departments: ceramics, glass and metal composed the Department of Applied Sculpture, while the textile, lace and fashion design studios formed a separate department. In the sixties, we created a joint Department of Industrial Arts. The new organizational structure and name of the department reflected the much trumpeted cooperation with industry of the time, which, however, was rather more problematic in practice. Despite several attempts to redefine the character of our department, we returned to the title ‘Department of Applied Arts’. While we are most closely related to design, our concept of learning – grounded in a close relationship with materials and workshop production – is quite specific, notwithstanding rapid development and common objectives.

It is difficult to single out individuals from the long list of eminent figures who helped to define the new concepts of our fields of study. The most distinctive among them is the founder, Josef Kaplický, whose philosophy, methodology and comprehensive approach to tuition extended well beyond the boundaries of his field – artistic glass. Others who put enormous work into the positive development of their specializations and into building the school’s reputation both at home and abroad were Antonín Kybal, Otto Eckert, Zdena Bauerová, Stanislav Libenský, Vladimír Kopecký and Vratislav K. Novák.